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- Mamadi -
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100bpm 4/4  1--2--3--4--1--2--3--4--1--2--3--4--1--2--3--4--

Shekere     X..X..X..X..X..X..X..X..X..X..X..X..X..X..X..X..
Section A   o..........oo.o........oo.o.o.oo.o.oo..........o
Section B   o.o.o.oo.o.oo.o.o.oo.o.oo.o.o.oo.o.oo.o.o.oo.o.o

All play Section A to begin with; ideally all notes are flammed.
After the rhythm pattern has become established, solo in the gaps ;-)
Section B pattern is a full-on repeat of the third phrase of the pattern,
and can be alternated into when the tension rises!


Key:
X = loud bell/block/clave/shekere  x = quiet bell/block/clave/shekere
K = Kenkeni (high pitch Dun Dun)   k = trapped/closed* Kenkeni
G = Sangban (mid pitch Dun Dun)    g = trapped/closed* Sangban
D = Dununba (low pitch Dun Dun)    d = trapped/closed* Dununba
B = drum bass tone                 b = drum bass tone flam ("bdum")
O = drum open tone ("top")         o = drum open tone flam ("plum")
S = drum slap tone                 s = drum slap tone flam
E = drum edge tone ("ping")        e = drum edge tone flam ("pling")
W = drum slap + wave :-)           r = right (/strong) hand
Z = trapped/closed* slap tone      l = left (/other) hand
F = flam (strong then other hand)  f = flam (other then strong hand)
t = touch/tip/ghost/timing note    h = heel (conga timing note)
. = rest (or ghost/timing note)    | = bar line
- = sustain the previous note      : = repeat
> = accent                         + = continue onto next line

*tone to be damped with hand/beater


(c) Mamadi Kamara, master drummer from Sierra Leone
http://www.thesmith.org.uk/people/musicians/index.html#masterdrummers
(notated by Malcolm Smith and Ian Gregory)