An advanced rhythm - not for the faint-hearted! It accompanies the lovely song called Kedjula Kanin. Kenkeni should start here ($) on beat 3 to introduce Dununba, but see below.
120bpm 12/8 || 1&a2&a3&a4&a | 1&a2&a3&a4&a || $ Bell 1 || xx.xx.xx.xx. | xx.xx.xx.xx. || +Kenkeni || k..k..KK.k.. | k..k..KK.k.. || Bell 2 || x.x.x.xx.x.x | x.x.xx.x.x.x || +Sangban || G...G....... | ............ || + +Sangban || G...G....... | ............ || + +Sangban || G...G..G...G | ..G..G...G.. || + +Sangban || G...G....... | ............ || Bell 3 (=2) || x.x.x.xx.x.x | x.x.xx.x.x.x || +Dununba D || ..D......... | ...........D || + +Dununba || ..D......... | ...........D || + +Dununba || ..D...D..D.. | D...D..D...D || + +Dununba || ..D......... | ...........D || r rl r rl Djembe 1 || S.OS..S.OS.. || ("Round the back") r.rlrlr.rlrl Djembe 2 || S.SSOOS.SSOO || ("Eat your breakfast up") Intro: (played four times, with slight changes) Count || 1&a2&a3&a4&a | 1&a2&a3&a4&a || Djembes B || s.B.s....... | ...........B || + Djembes B || s.B.s....... | ...........B || + Djembes B || s.B.s.Bs.B.s | B.s.Bs.B.s.B || + Djembes B || s.B.s....... | ....OOOO...B || + OOOO with DDDD 2nd time: Djembes B || s.B.s....... | ....SSSS...B || + SSSS with GGGG Djembes B || s.B.s....... | ....OOOO...B || + OOOO with DDDD Djembes B || s.B.s.Bs.B.s | B.s.Bs.B.s.B || + Djembes B || s.B.s....... | ...........B || + 3rd time: Djembes B || s.B.s....... | ...........B || + Djembes B || s.B.s....... | ...........B || + Djembes B || s.B.s.Bs.B.s | B.s.Bs.B.s.B || + Djembes B || s.B.s....... | ....OOOO...B || + OOOO with DDDD 4th time: Djembes B || s.B.s....... | ....SSSS...B || + SSSS with GGGG Djembes B || s.B.s....... | ....OOOO...B || + OOOO with DDDD Djembes B || s.B.s.Bs.B.s | B.s.Bs.B.s.B || + _3_ Djembes B || s.B.s.ss.... | Z.O...O3O... || where O3O = OOOO Bells || x.x.x.xx.x.x | x.x.xx.x.x.x || Sangban || G...G....... | ............ || Dununba D || ..D...DD.... | ...........D || Kenkeni || k..k..KK.k.. | k..k..KK.k.. || Every other time round the Intro, the Dununba/Sangban plays DDDD/GGGG in unison with the Djembes' OOOO/SSSS. And here's another variation from Seckou Keita: Bell 3 (=2) || x.x.x.xx.x.x | x.x.xx.x.x.x || +Dununba D || ..D......... | ...........D || + +Dununba || ..D......... | ....DDDD...D || + +Dununba || ..D...D..D.. | D...D..D...D || + +Dunun Var || ..D........D | D-D-D-D-D-D-D-.D || + see below +Dununba || ..D......... | ...........D || + Here the Sangban plays +Dunun Var || ..D........D | ..D..D..D..D || + / +Dununba || ..D...D..D.. | D...D..D...D || + / +Dununba || ..D......... | ...........D || / / Bell 2 || x.x.x.xx.x.x | x.x.xx.x.x.x || / Sangban Var || G...G......G | G.G..G.G.G.. || + <--' Here's that 4th line written out fully and spread over two lines: 1--2--3--4--5--6--1--2--3--4--5--6-- +Duns Var || G . D . G . . . . . . D || + _________6:8_________ || D - D - D - D - D - D - D . . D || 1-&-2-&-3-&-4-&-5-&-6-&-3--4--5--6-- Written together: Bell 3 (=2) || x.x.x.xx.x.x | x.x.xx.x.x.x || +Duns D || G.D.G....... | ....GGGG...D || + +Duns || G.D.G....... | ....DDDD...D || + +Duns || G.D.G.DG.D.G | D.G.DG.D.G.D || + +Duns Var || G.D.G......D | D-D-D-D-D-D-D-.D || + see above +Duns Var || G.D.G......G | G.G..G.G.G.D || + +Duns Var || G.D.G......D | ..D..D..D..D || + +Duns || G.D.G.DG.D.G | D.G.DG.D.G.D || + +Duns || G.D.G....... | ...........D || Another nice variation, also from Seckou Keita: +Dunun Var || ..D.......DD | DDDDDDDDDD.D || + Check how the Djembes copy the Dununba and Sangban: Dun Duns D || G.D.G.DG.D.G | D.G.DG.D.G.D || Djembes B || s.B.s.Bs.B.s | B.s.Bs.B.s.B || The more astute student will notice that the second bar is an exact mirror image of the first about the central barline, but with basses swapped for flammed slaps. Here are some other ways of writing this break, without barlines: Bs.B.s.Bs.B.s B.s.Bs.B.s.Bs.B.s Bs.B.s.Bs.B.s B.s.Bs.B.s. Bs.B.s Bs.B.s. Bs.B.s B.s.Bs. B.s.Bs. B.s
Godel, Escher, Bach, Keita...
The song is sung in call and response. The lyrics mean "I don't like the friendship of an ugly girl."
Kedjula kanin sunguru Kedjula kanin mandinye
Mamady taught it with the kenkeni beginning on beat 3 as indicated above, but we find this too offputting and difficult to hear the downbeat properly, so we just start from beat 1.
Mamady puts some nice solo phrases over the pattern. This one occurs at 5'15":
Count || 1&a2&a3&a4&a | 1&a2&a3&a4&a || Djembe || s.OO.....s.O | O...s.OO.s.s | + Djembe || .........s.O | O...s.OO.s.s ||
And here at 7'52" (written double-spaced) - notice how beat 2 comes on the last O, not the final slap. This is highly mesmeric!
Count || 1 & a 2 & a 3 & a 4 & a || Djembe || S S OOO S . S S OOO S . || r l rlr l r l rlr l
(c) New
African drum rhythm composed (in neo-traditional
Guinean style) in 2007 by
Mamady Keita
as part of his "Evolution Of The Djembe", taught at his
advanced djembe workshop in High Wycombe, England on
Sunday
2008-05-25, and featured on his CD
"Mandeng Djara".
(notated by
Malcolm Smith during the class
- song added 2008-11-20)