Studio Pictures from 2011


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Last studio at BARNACLES (British Audio Research Nerve-centre And Colossal Library of Ecstatic Sound)

[ Spotlit studio panorama over Jupiter ]

Here you can see my final setup at BARNACLES before I moved out. There's been a gradual gear evolution: a few choice new items (MXR 126!) and of course the new computer. Yay! I finally got dual screen action going :-) And my goodness, the SQ80, Jupiter-6 and JX-3P are looking mighty fine and sounding sweet together.

[ Bright studio desktop sat behind the mix position | Studio desktop from behind the mix position | Bright studio desktop sat behind the mix position | Dual-screen Ardour desktop with Ensoniq SQ80 synth | New computer in sunny studio | Roland JX-3P programmable preset polyphonic synthesiser ]

This summer will see a radical new studio layout (now that I've made some decent music with the old setup) with better access to front and rear of all racks, and a tall 19" tower of convertors and patchbay housed in my Deep Beige computer cabinet. I'm also building speaker stands and a new desk to get the mixer out of the corner and into the central sweet spot (or perhaps not: it might be too big to go in front of LCDs - it's a difficult choice whether to instead have it to the side and the QWERTY keyboard and MIDI controller+faderboxes in the prime position like they are now. I need to weigh up priorities, since I'll be mixing ITB). Until then, I'm making the best of the current setup, and have been recording some good sonic experiments which await mixing.

OK, bring on the panoramas...! ...followed by some darker evening shots: (some of which formed one of the panoramas - can you guess which? The numbers help... :-)

[ Sunny studio wide panorama | Sunny studio panorama from above | Studio panorama rack closeup | Deranged perspective studio panorama | Evening studio fisheye panorama from above computer | [ Looking over computer towards studio workstation | Low side view of computer and Akai rack beneath studio desktop | Darker head on view of computer and Akai rack beneath studio desktop | Red swivel chair beside computer and Nanopolis desktop | Portrait view of Jupiter, Spirit and racks | Looking over computer towards studio workstation | Studio desktop, mixer and racks from behind swivel chair | Computer, synths, mixer and racks from high above swivel chair | JX-3P closeup with Audentity looking across SQ80 to distant blue racks | Roland JX-3P with red+black friends ] Sontronics Helios microphone above studio desktop with flash | Sontronics Helios mic above Spock portrait ]

Audentity

Behold "audentity", the new music computer, seen here still sat in the middle of the room for accessible tweaking. Even more glamour shots will follow soonish now that I have CCFLs installed and giving the studio a lovely warm firey red glow to rub one's hands over.

[ Audentity rear view with case open | Looking into FT02R case from above | Audentity half-installed (yellowing caused by flash) | Audentity powered up | Audentity other side cabling and Crucial C300 SSD ]
[ Topless side window view of Audentity with huge fans visible inside | Side window view of Audentity with shining heatsinks inside | Top view of Audentity with the top cover on | Top view of Audentity with matching Falke socks and swivel chair | Top close view of Audentity with the top cover off ]

A few shots of the completed machine up and running, firstly testing the memory, then copying over files and config from the old studio machine ("trancefer"). If you look closely at the two apparently identical screens you'll notice they are slightly different and the mouse pointer is lower on the left one. The last photo shows audentity's dual screen desktop.

Above front side view of Audentity with top cover on | Above front side view of Audentity with top cover on beside red swivel chair | Above front side view of Audentity with top cover off, watched over by Spock portrait | Above front side view of Audentity with top cover off in sunny red corner | Memtest showing 16GB RAM running at 1333MHz | Audentity and Trancefer side by side during data migration | Audentity dual screen Nanopolis desktop with Ensoniq SQ80 ]

And finally, just for the ladies (after all your countless requests ;-) these last pictures show some obscure closeups of the sleek Ferrari-coloured interior during the build process. This thing really is a work of art at all levels from the macro to the micro.

Asus Crosshair IV Formula southbridge and PCI slots closeup | Asus Crosshair IV Formula southbridge and PCI slots closeup | Asus C4F southbridge and PCI slots dominated by massive Silverstone AP181 fans | Asus Crosshair IV Formula southbridge and PCI slots | Asus Crosshair IV Formula PCI slots | Asus Crosshair IV Formula PCI slots and angular heatsinks lit up | Asus Crosshair IV Formula SB, PCI slots and angular heatsinks lit up | Asus Crosshair IV Formula southbridge, PCI slots and angular heatsinks lit up | Above ThermalRight Ultra Extreme 120 Rev.C installed on Asus Crosshair IV Formula in Silverstone FT-02R | Looking into Silverstone FT-02R case at ThermalRight Ultra Extreme 120 Rev.C installed on Asus Crosshair IV Formula | Front side view of ThermalRight Ultra Extreme 120 Rev.C installed on Asus Crosshair IV Formula | Front side portrait view of ThermalRight Ultra Extreme 120 Rev.C installed on Asus Crosshair IV Formula | Side portrait view of ThermalRight Ultra Extreme 120 Rev.C installed on Asus Crosshair IV Formula | ThermalRight Ultra Extreme 120 Rev.C above sculptural MOSFET heatsinks on Asus Crosshair IV Formula | Shiny TRUE on Asus Crosshair IV Formula in FT02R with 180mm AP181 fans | Mega tower of shiny TRUE on Asus Crosshair IV Formula in FT02R | Shiny TRUE on Asus Crosshair IV Formula in FT02R | Light shining through fan behind TRUE on Asus Crosshair IV Formula in FT02R | Closer portrait view of TRUE on Asus Crosshair IV Formula in front of fan in FT02R | PowerColor Radeon HD7570 and 4*4GB RAM installed in FT02R and powered up | PowerColor Radeon HD7570 and 4*4GB RAM installed in FT02R beside Akai studio rack ]

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© copyright Malcolm Smith 2011-03-06 - last updated 2011-05-16